The Behringer X AIR X18 is an 18 input, 12 bus digital mixer that allows you to integrate your iPad and/or Android tablet. It’s well-suited for live and studio applications thanks to its 16 MIDAS-designed mic preamps, convenient integrated WiFi module for wireless control, and its ability to be used as a bi-directional USB audio interface. The X18 also lets you move around the venue and manipulate the parameters of your mix thanks to its free iOS, Android and PC apps.
The Behringer X18 comes with an integrated WiFi module for direct control of your mixer’s functions without the need to setup and configure an external router. The X18 gives you the freedom to focus on your mix while allowing you to move about the venue to experience what every part of the audience is hearing. Plus, you can adjust live monitor wedges from the artist’s perspective, or better yet, let them mix their own IEMs and floor monitors via their own tablets.
- Access Point isthe easiest way to connect up to 4 clients directly and concurrently (i.e. iPad, Android smartphone/tablet or laptop). This mode should have your remote control up and running in less than a minute.
- WiFi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected.
- Wired connectionscan be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated WiFi router, e.g., for extended range or 5 GHz applications.
The X18’s fast and comprehensive 18×18 channel bi-directional USB interface makes it a powerful digital mixing solution for recording directly to your iPad or PC. Dial in the perfect monitoring mix with effects and zero-latency while sending up to 16 microphone signals and the keyboard player’s MIDI notes to your DAW for recording.
When your application calls for a multi-microphone setup – such as an onstage panel discussion, press conference or courtroom proceeding – it can become a challenge to maintain so many open mics – and preserve maximum gain and priority for the moderator. Behringer’s X AIR Gain Sharing technology can easily manage fully automated mixes with up to 16 live microphones. Based on the legendary Dan Dugan automix system, the X18’s gain sharing paradigm automatically controls the levels of all selected microphones in real time without any gating artifacts or noise modulation. This function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. X AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.
Equipped with the very same FX engines as the X32 Digital Mixing Console, the X18’s onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics. Plus, the X18 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses – all without the need for any additional hardware.
You can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer doesn’t have to do the heavy lifting during a mixing session with DAW plugins as the X18 has a whole studio of FX under its hood.
Custom-designed, and physically modeled after some of the most iconic and sough tafter processors, all effects run inside the low-latency environment of the X18 mix engine, ensuring flawless performance, flexible routing and the end of cable faults forever.
The immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.
The ultra-smooth optical attenuator is closely modeled in Behringer’s LEISURE COMPRESSOR. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A)
When Urei released the 1176LN Limiting Amplifier in the late ’60s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.
Behringer’s digital reincarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN)
The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.
Behringer’s FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M/S operation. (Inspired by Fairchild 670)
The COMBINATOR is a 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.
The XTEC EQ1 emulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. Behringer analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled. (Inspired by Pultec EQP-1a)
Put simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, Behringer captured the very essence in their mid-range focused parametric equalizer XTEC EQ5. Their digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5)
The SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing.
The EDISON EX1 is the reincarnation of one of Behringer’s own analog classics. This effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I/O modes allow the processing, or creation, of Mono/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)
The SOUND MAXER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i)
The DIMENSIONAL CHORUS is a great emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus)
MODULATION DELAY combines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.
ENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer)
EXCITERS increase presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter)
Unlike typical graphic EQs, Behringer’s STEREO TruEQ delivers the exact frequency response for the fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization. (Modeled after BEHRINGER UltraCurve DEQ2496) XR18 can provide up to 16 mono graphic EQs: one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted in channels.
VINTAGE ROOM stands out over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ’80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS)
PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70)
The 3-TAP DELAY in the X32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.
The HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L)
More of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on Behringer’s “True Physical Modeling”, and their algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L)
This handy dynamic FLANGER & DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70)
WAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer)
The STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of “hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics)
The DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219)
Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/ recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb)
Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70)
The X18 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time – capturing a sonogram window of a full 10 seconds.
Switch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves – and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier.
The easy way to send sound, Behringer’s ULTRANET connectivity allows you to send 16 digital sources over a lightweight and easy-to-deploy Cat 5 cable to P16-D Digital ULTRANET Distributors, or directly to P16-M Personal Monitor Mixers. This powerful and advanced technology makes it easy for individual performers to create their own “more me” mix – and frees you up to put on your best show. ULTRANET also provides the perfect conduit for sending your mix to the TURBOSOUND iQ Series loudspeakers, which can tap into the 16-channel digital bus directly.
While the tablet mixers made by Behringer’s competitors only work with iOS-compatible tablets, the X18 is an equal-opportunity launch pad for your dreams thanks to its ultra-wide tray that accepts PC/Mac/Linux mini-notebooks and tablets, Android devices – and iPads of all sizes. By using an internal WiFi router and a suite of user-friendly dedicated apps, the X18 is the one tablet mixer on the market that accommodates the world’s most popular operating systems.
The X18 allows you to achieve the same incredible level of EQ finesse as the X32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut.
Every input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the X32 – with one special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and get your hands on every nuance of your dynamics. Or, if you’re more of the “plug and play” type, Simple mode lets you either select from one of our 4 carefully-optimized presets – or load your own channel templates. Add to this 40-Bit, floating-point DSP and you’ll experience virtually “unlimited” dynamic range with no internal overload and near-zero overall latency.
In addition to the Main L/R bus for Front of House, 6 Aux buses are provided for dialing in the perfect monitor mixes, complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. 100-band RTAs are available for these EQ options, too.
The physical MIDI I/O port on the X18 mixer can also be used for connecting external MIDI controllers, such as Behringer’s X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. And since the full-featured X18 also supports the Mackie Control protocol, you easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI devices.
The Behringer X18 mixer that are compatible with iOS-, Android-, PC/Mac- and Linux-based systems. When you download an X18 app for your OS, you can rest assured that you will get the fully optimized experience as intended by Behringer.
If your application requires a computer for BEHRINGER X AIR mixer remote control, X AIR EDIT* software (PC/Mac/Linux) was made for you. Copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5 cable (max. 100 m length), and all X AIR mixer functions are instantly mirrored on your computer screen. Since your PC screen is larger than the one on your phone, X AIR EDIT allows you to open and scale more app windows, such as for routing or FX editing – letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically-placed computer stations to control the same mixer. With X AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer – both live and in the studio.
*This software is available for download at Behringer’s website.
Front of House is wherever you and your iPad are, thanks to the X AIR for iPad. Download the free app from the Apple App Store to your iPad, set the BEHRINGER X AIR mixer to Access Point mode, and connect your iPad to the X18 network that will show up. After launching the X AIR for iPad, select the mixer image, and all of your X AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to/from your iPad or customize your channel layout – all with the support of innovative drag & drop functionality.
Designed specifically for all Android mobile devices (2.2 or higher), the X AIR for Android app (downloadable from androidapps.com) can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on BEHRINGER X AIR mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the X AIR App for Android, personal monitor mixing just got a whole lot more personal. In full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing/loading scenes or presets, and much more – whether you’re running a 12″ tablet or a 5″ smartphone.
Tracktion is one of the world’s fastest and easiest Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins. This powerful music production software gives you all the tools of an entire professional-grade recording studio. Learning a DAW has never been easier, thanks to their vast and readily available library of resources.